Though I am completely a non-scholar and merely a fan, it seems to me on listening to a lot of Beethoven and a little Haydn that Beethoven took more from Haydn then he let on. Beethoven is more Haydnesque (if I can mix root languages) than than he is Mozartian to me. So it seems reasonable that he might have gotten some of his musical gestures from Haydn.

I have not heard this oboe concerto that I remember, so I will go look for it. This sort of thing is so interesting.

 

Very Interesting. I need to give that another listen...

Haydn was not afraid to be very lighthearted and playful in his work - seemingly simplistic... so 'ameteurish' could be decieving in that context. On the other hand, Beethovens early work very much showed an exceedingly strong grasp of Mozart and Haydn musical textures and was heavily reflective of them.

 

Beethoven's minimal sketches for an oboe concerto in F have turned attention away from the impressive and powerful Oboe Concerto in C attributed to Haydn. But, as with sketches for an unwritten early symphony in C minor, there is no proof that Beethoven's oboe concerto was in F.

The music itself gives the strongest indications that Beethoven wrote the attrib-Haydn work, about 1788-90. My unpublished paper cannot conclusively settle the issue, but the clear links to Mozart works, and to many of Beethoven's important early-mid period works are obvious, yet overlooked. I'm happy to provide a copy (it's written in easy layman's language) to anyone interested, no charge. Hopefully it will generate some long-overdue interest, and even lead to the discovery of the lost score of the Oboe Concerto in C.

Warwick Pryce
E-mail address: w.g.pryce@xtra.co.nz

 

YES, I'm definitely interested! Can you not post it in this thread or email it to me?

 

Am I to understand that I'm not the first person to have made the aforementioned assertion?

Yes, I would be very interested in reading your essay.

 

Suggestions that the attrib-Haydn Oboe Concerto in C might be Beethoven's seemingly started about 1960 (see "The Gramaphone Oct '60, p214). And Haydn scholar, H C R Landon asserted Haydn wasn't the composer, that evidence being slight compared with what tells us that Beethoven was. In 1974 I gave a short talk on radio suggesting early Beethoven, but nothing eventuated and I let it lapse. When experts in The Netherlands recently "created" part of a so-called Beethoven Oboe Concerto in F from sketches, I rewrote my full essay and sent a copy to someone associated with these experts. But after a year, no acknowlegement has come back in spite of a reminder. I suppose that people clinging to a desperate hope (the nebulous F major work) won't want the C major concerto troubling them. Haydn had Beethoven's concerto in his hands in 1793. Did he send just the score to the Elector in Bonn, who when returning the bundle of young Beethoven's music imagined the parts HAD been sent, thus retaining score till said parts were located? Such is suggested by the C maj work surfacing in Haydn's works as parts-without-score. Has anyone bothered to search all the archives, relics, etc across Europe of Elector, Maximilian Francis to locate the lost score bearing its composer's name? Such a search is well beyond my capabilities.

 

Very, very interesting. I came to the same conclusion completely independently due to the plethora of Beethovenian traits exhibited in the concerto. I think I'll devote some study to this next year, at university.

 

In nearly 50 years since I became interested, little has been achieved to try and settle the question. The wonderful work remains an orphan, while the Beethoven concerto remains hidden. Personal opinion still rules -- some say the Oboe Concerto in C is indeed by Haydn, many others say, definitely not Beethoven, and nobody seems able to offer much reason other than instinct, gut feeling, even prejudice. I couldn't persuade anyone to take seriously what is a simple possibility. It is difficult for persons of high standing to concede they missed noticing the straightforward indications found in the work. A most fascinating question is, what Mozart works did Beethoven hear, and even play during his short stay in Vienna in April 1787? The oboe concerto, if it IS by him, may hold the answer.

Another challenging suggestion is for an expert examination to be done of the style of music writing of the original parts, whichever they are, and the style in say, the score of the unfinished Violin Concerto in C. Back about 1790 Beethoven could well have been writing parts himself (with a copyist duplicating string parts). There must be possibilities that haven't yet been explored. One thing is certain -- a whole lotta talk aint gonna do nothin!

 

I played this concerto in a competition at my college and one of the jurist thought he heard a theme from a Beethoven song ("lied") in the concerto (the 1st movement). Also, my accompanist (exceptionally skilled and educated professional pianist) said after our first rehearsal "This is not Haydn". Neither the jurist nor the accompanist had heard the piece before so it was only their gut feeling I guess.
Beethoven wrote a little known sonata for anglohorn and piano early in his career, it would be interesting to check it for any similarities with the concerto, I haven't been able to find any recordings or sheets though.

@Bach, it's simply false that big leaps and arpeggios aren't oboesque, just listen to Rosetti's concerto in C and Mozart's oboe quartet or concerto. In later chamber repertoire they're also all over the place. I can understand your assumption though, since the oboe's role in orchestras doesn't really represent this.

 

I am an oboist. Clarinets are better at jumps. Fact.

Mozart's concerto isn't particularly jumpy. I've performed it.

 

I didn't know you played oboe, Bach. That's awesome. Have you ever played R. Strauss' "Oboe Concerto"? Ravel's "Le Tombeau de Couperin" will also give you a workout on oboe.

 

Nobody's entirely sure who composed the oboe concerto long attributed to Joseph Haydn and a little hypothesis of mine is that it was composed by the baby faced Ludwig....opinions on the theory?

This interesting thread unfortunately died, perhaps because the mysterious 'W Pryce' surfaced, ahum, lol...

Nevertheless, this is something totally different than the crazy theories about Luchesi, there IS something 'un-Haydnesque' about this work...

 

Thanks Wolf for the best laugh I've had for a long time! ME mysterious?
Hey, I joined this supposed debate because of the narrow focus of the title, "Did BEETHOVEN compose Haydn's Oboe Concerto?" (I'd prefer it to say attrib. Haydn). Having seriously studied the issue for a long time, I believe I have something tangible to contribute. My 1st post has my e-mail address, and sincere offer to send to anyone a copy of my paper containing details of links to Beethoven works. So far nobody has sent for it. I'll go further and assure all that I'll keep their real identities and whereabouts secret. My only interest is in solving the mystery of whether Beethoven is the composer. If any of you actually desire to see this remarkable orphaned work reuited with its true parent, then simply get acquainted with the substantial aspects that almost prove who that parent was.
However, if the purpose of this forum is just to generate endless talk about a mystery that participants would rather see left unsolved, then I'll quietly unsubscribe and disappear as mysteriouly as I supposedly surfaced. Thanks again, Wolf -- I'm still chuckling!
Perhaps I should publish the paper on the web, with free download offer.
Warwick Pryce

 

Yes, Bach (and anyone else interested) I'll certainly get a copy to you ASAP. I'm wondering whether my e-mail address as shown above has prevented requests from coming through. It should show as w.g.pryce, NOT w.q.pryce!
If I'm allowed to post a 16-20 page attachment in this thread, this is my preferred option, as it would present the vital material "at the coal face". I'm updating, adding new info, so it'll take a few days to get
it into final form, which is the version I'd rather you received.

 

Absolutely - I can wait until you're finished - very grateful!

 

Do you still have a copy and can you send it too this email:kalkidan.stuer@gmail.com
thanks

 

A "few days". . . weeks . . . months . . . phew!
Delays caused by an important new point, getting the 35 music illustrations correctly done, and a fortuitous visit to Prague and locating there a 2nd-hand LP of an obscure bassoon concerto for fair evaluation (seeing its composer is thought by some to be the composer of the Attrib.Haydn Oboe Concerto).
But -- now ready to send (PDF, 2534 KB, of 19 A4 pages which read okay and print well).

 

Attrib.Haydn Oboe Concerto . . . actually by Beethoven?

Attached musical evidence presents strong case.
(Quality hard copy via airpost available on request, no charge.)

 

Beethoven writing Haydn's oboe concerto

This could be a possibility as Beethoven was under the tutelage of Haydn for some time and this may be true.

 

Having posted my essay, hopefully some meaningful discussion will be generated.

 

Hi,

Beethoven's minimal sketches for an oboe concerto in F have turned attention away from the impressive and powerful Oboe Concerto in C attributed to Haydn.
The music itself gives the strongest indications that Beethoven wrote the attribute Haydn work, about 1788-90.

Thanks.

 

If Haydn took credit for it, I don't see any reason not to trust him until evidence shows otherwise. Haydn was a gracious, wonderful individual (similar to Mozart), and I just doubt he was capable of anything so underhanded as to short change his own pupil. I'd be pretty taken aback if someone had evidence that more clearly suggested otherwise.

 

Who said Haydn took credit for this spurious, 'attributed' concerto? The score (the authority) is missing, and whoever penned the parts left the composer's name off. Someone else put Haydn's name on them.
Apart from handling the Beethoven Oboe Concerto when sending it to Bonn, Haydn may not have had anything further to do with that work. If he kept back the parts, they may have got 'lost' amongst his own works, to surface and be ejected after he died, eventually to be returned as 'possibly his'.
But, most assuredly, no such suggestion of any improper behaviour by that most admirable of musical persons, 'Papa' Haydn, has been made, hinted at, or even imagined!

 

That's good to hear.

 

Reading your article soon and will hopefully return with much meaningful grammar.

 

Apologies for bumping an old thread, but over on the IMSLP the attribution is to one Ignaz Malzat, was he the obscure composer W. Pryce was referring to in his post of October 14, 2009.

 

do

Absolutely - I can wait until you're finished - very grateful!

do you still have nthe paper and can i also have a copy, my email: kalkidan.stuer@gmail.com

 

The is a genuine internet mystery. I would love to read and post a link to make this unpublished article connecting young Beethoven to the Oboe Concerto attributed to Haydn that W Pryce posted in 2009. It seems like everybody involved at the time is no longer active on the forum... It also looks like at some point Pryce posted it here in this thread, but perhaps the attachment did not survive the TalkClassical hosting migration. I have reached out to who I can, but it is not promising.

If this is really the product of 50 years of thinking, it would be utterly fascinating to read. Therefore I ask: Does anyone have any clues? Or is this forever lost media, since we can't contact whoever might have this in some ancient Downloads folder or Gmail inbox?