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Favorite unsung/less-known symphonies

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15K views 66 replies 25 participants last post by  hammeredklavier  
#1 · (Edited)
I'm a huge fan of symphonies, my favorite classical form. A big deal of we are familiar with the usual examples (Brahms, Sibelius, Mozart, Bax, Martinu, etc.), but there are many interesting symphonies out there that are kind of neglected or less known by many. Therefore, I would like to know what are some of your favorite symphonies that are not so well known by some less-known composers. Be free to post your favorites, no matter the number of them. Please, avoid the usual composers and their symphonies. I'll begin with 10 favorites of mine:

Gino Marinuzzi - Symphony in A major
Jef van Hoof - Symphony No. 4 in B major
Kaljo Raid - Symphony No. 1 in C minor
Christopher Rouse - Symphony No. 3
Imants Kalnins - Symphony No. 5
Carl Vine - Symphony No. 3
Boris Tchaikovsky - Symphony No. 3 Sebastopol
Elizabeth Maconchy - Symphony for double string orchestra
Benjamin Frankel - Symphony No. 4
Tomás Bretón - Symphony No. 3
 
#2 · (Edited)
Great topic! I'm assuming we're going for really lesser-known symphonies here, since you listed Martinu and Bax as "usual examples"! :lol: I'll start off with 10 I've discovered:

Volkmar Andreae - Symphony in C
Camargo Guarnieri - Symphony no. 3
Alf Hurum - Symphony in D minor
John Kinsella - Symphony no. 7
Erkki Melartin - Symphony no. 3 in F major
László Lajtha - Symphony no. 2
Boris Lyatoshinsky - Symphony no. 2 in B minor
Cláudio Santoro - Symphony no. 4 (Sinfonia Da Paz)
Erwin Schulhoff - Symphony no. 5
Takashi Yoshimatsu - Symphony no. 3

Among these, I'm pretty sure the Lyatoshinsky is the only one with more than one commercial recording.
 
#7 · (Edited)
Great to see CPO embarking on an L. Glass cycle, especially since the old Danacord cycle was reputedly subpar (I haven't actually heard it, though). The 3rd and 5th symphonies are very enjoyable works, but lacking the last ounce of drama and memorability that make the symphonies of, say, Atterberg, Melartin, Alfvén, and Peterson-Berger (to name other Nordic late-romantics) superior in my view. As for Huber's cycle, I've only heard the 8th, which was enjoyable, but it's probably not one of his best symphonies.
 
#6 ·
I recommend Ernst Krenek's symphony no.1, especially for those who likes Sibelius's 7th. Krenek's work predates the Sibelius by a year or two - he was only about 21 when he wrote it. Not saying it's as good as the Sibelius and it certainly isn't as cohesive, but the shared concept of continual change within a single-movement structure might have some appeal.
 
#23 ·
One of my most unexpected experiences after listening to CM all these years is to come across so many 'unknown' symphonic works that -particularly the adagios for some reason- are close to or are top grade level. This has been made possible only in the digital/YouTube era because prior to that it would have been impossible to find or sample all these works. Ten years ago, I had no clue there were so many of them.

In addition to the symphonies I mentioned earlier, here's one by a composer who was not accepted by his peers because perhaps he was too traditional? It's hard to believe it was composed in 1912-14. I am presenting the Lento movement because it is one of those that grabs you immediately:

Rued Langgaard Symphony #2 (Awakening of Spring) II Lento:

 
#24 ·
Christian Sinding Symphony no. 1 -- beautiful, dramatic, airy, extremely tuneful reminds me the most of Dvorak
Alfred Hill -- Symphony no. 2 "Joy of Life" an underappreciated composer, a fine symphonist
Cyril Scott - Symphony no. 1 -- OK so it's very unlike his later music, but how can anyone deny how wonderful those tunes are!
Leevi Madetoja -- Symphony No. 3 -- another pleasurable symphony with interesting harmonies
Malcolm Williamson -- Symphony no. 6 -- two Australian composers in one post! Incredibly engaging piece -- an unsung genius
 
#26 ·
Other great choices in here! I have the Hill but I haven't listened to it yet. The Williamson is utterly new to me. Madetoja is one of my favorite Finnish composers and his symphonies don't disappoint not even a bit. The Sinding is my favorite, the most passionate and epic among the 4. I'm not familiar with that one by Scott either.
 
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#31 ·
One orchestral piece, which I would probably describe as a symphony of sorts, that I have grown very fond of recently is Bernhard Lang's Monadologie XIII "The Saucy Maid" for 2 orchestral groups mutually a quarter tone detuned (based on Anton Bruckner's "Linzer Sinfonie - Das Kecke Beserl") commissioned by Donaueschinger Musiktage 2013 (2011/12). It's an astonishing work! For those familiar with Lang's oeuvre, it's not exactly as repetitive as some of the Differenz/Wiederholung compositions, but his fascination with intricate sounds and variations on them is blown up to colossal proportions in this long orchestral score.

It's available as part of the Donaueschinger Musiktage 2013 box set of recordings from the festival, but I will post this video too for anyone wishing to sample the piece:

 
#33 ·
I just played a CD I got in the mail yesterday with the fourth symphony "Orgelsymphonie" of Johann von Herbeck (Austria, 1831-1877), best remembered as a conductor (he conducted the premiere of Schubert's "Unfinished" Symphony). A fascinating showpiece, one of the best works for organ and orchestra I've heard.
 
#34 · (Edited)
Some more suggestions:

Fritz Brun - Symphony no. 7 (an enjoyable if not overly memorable work with echoes of Mahler - the finale is wonderful)
Gordon Jacob - Symphony no. 1 (dedicated to his brother killed in WW1, a powerful work occasionally reminiscent of VW)
Alexei Machavariani - Symphony no. 1 (an exciting, enjoyable work in the vein of Khachaturian)
Aare Merikanto - Symphony no. 2 "War Symphony" (lyrical and passionate with an intense slow movement)
Saburō Moroi - Symphony no. 3 (a powerful and redemptive wartime work)
Lucijan Marija Škerjanc - Symphony no. 4 for string orchestra (an extraordinarily rich, lush work considering its medium - Škerjanc's music cries out for more attention)
Stjepan Šulek - Symphony no. 4 (a powerful, unique work which begins uncannily like Brahms' 1st)
Alexander Tansman - Symphony no. 4 (a nice synthesis of impressionist and neo-classical influences)
Alexander Tcherepnin - Symphony no. 3 "Chinese" (colorful and approachable with "exotic" influences)
Dag Wirén - Symphony no. 4 (a compact, monothematic work with an uncanny echo of the finale of VW's 6th at one point)

A few of these (Machavariani, Škerjanc, and Šulek) haven't been commercially recorded to my knowledge, but they're available on YouTube.
 
#39 ·
They seem appealing works and they are unknown to me (Jacob, Machavariani, Sulek, Skerjanc). I read a review about the Sulek's symphonies on MusicWeb and I thought they seemed powerful. I know the Tcherepnin, Wirén, Tansman, Moroi, Merikanto and Brun. I hope the audio quality of the symphonies on YouTube are good.
 
#40 ·
I am also thinking in other engaging symphonies:

Arnold Rosner - Symphony No. 5 Missa sine Cantoribus super Salve Regina: If you like Braga Santos or Respighi, then this is for you.

Tikhon Khrennikov - Any symphony (he wrote 3), let's say the No. 2: These works are mainly fun, energizing, but not very profound.

Julius Beliczay - Symphony No. 1 in D minor: Very traditional, romantic, with great tunes.

Natanael Berg - Symphony No. 2 The Seasons: He was a contemporary of Atterberg. This is a magical, fairy work with a great orchestration.

Lepo Sumera - Symphony No. 2: The work has a transcendent, moving and minimalistic quality quite impressive.

Josef Bohuslav Foerster - Symphony No. 4 in C minor Easter Eve: The best symphony he wrote, the most successful one. It's also very traditional, nothing challenging. The ending is majestic (with an organ). It brings some tears to my eyes.
 
#56 · (Edited)
I have not seen this "Symphony" mentioned anywhere on this thread yet.

KARL GOLDMARK (1830-1915)
Rustic Wedding Symphony,Op.26 (1875)

Whilst possibly well-known in these forums, this was new to me.

I like it, very much.
:)

 
#58 · (Edited)
(And just in case anyone was ready to write-off Sir Paul...)

PAUL MCCARTNEY (1942)
Working Classical (1999)

I listen to this album more than The Beatles or McCartney's subsequent popular output.

Whilst I do hear the familiar echoes of past masters in this work, I do believe Sir Paul has his own, unique orchestral voice.

I have chosen Track 2 "A Leaf", to introduce any newcomers.