I was a doom affectionado i confess, still today i enjoy some doom-metal or not,pure doom
industrialo-noise doom, downtempo doom, ambient doom, sludgy doom.
Than i always enjoy quality ambient music, hard hitting music, relentless music...
I find this in classical music as well, common some piece of doom has the blueprint of gorecki sorrowfull song, or pendercki bold powerfull lento, and sometime doom can be sweet and about
beauty slow pace dosen mean necessarly non melodic.
So i guess artist like Hildegarde von Bingen can be a source of inspiration for a doom metal band , like a doomband made of womens, whit vocal harmony no yelling and powerfull heavy but ethericaly smooth.
My question is the following is there somesort of parallel to be made between doom and classical.
i mean classical sometime share the same esthetic whit doom-metal, look at Golitsin exile from khovanshchina, this perticular piece by mussorgsky is very doomy no one can disagree.
I mean it reek human misery, pain, suffering, but this is my interpretation of doom in classical music and the link between doom genra.
I Wonder if you consider these two type of doom genra, doom exist outside metal in classical music this is my point. what about Arvo Part ''deprofundis'' or '' silentium'' are defenatly into doom genra.
Than i could go on and on and on about it, someone here share my observation here his doom close to classical or closer than we think it is?
So enought bold statement for the day, i hope you enjoy reading me :tiphat:
industrialo-noise doom, downtempo doom, ambient doom, sludgy doom.
Than i always enjoy quality ambient music, hard hitting music, relentless music...
I find this in classical music as well, common some piece of doom has the blueprint of gorecki sorrowfull song, or pendercki bold powerfull lento, and sometime doom can be sweet and about
beauty slow pace dosen mean necessarly non melodic.
So i guess artist like Hildegarde von Bingen can be a source of inspiration for a doom metal band , like a doomband made of womens, whit vocal harmony no yelling and powerfull heavy but ethericaly smooth.
My question is the following is there somesort of parallel to be made between doom and classical.
i mean classical sometime share the same esthetic whit doom-metal, look at Golitsin exile from khovanshchina, this perticular piece by mussorgsky is very doomy no one can disagree.
I mean it reek human misery, pain, suffering, but this is my interpretation of doom in classical music and the link between doom genra.
I Wonder if you consider these two type of doom genra, doom exist outside metal in classical music this is my point. what about Arvo Part ''deprofundis'' or '' silentium'' are defenatly into doom genra.
Than i could go on and on and on about it, someone here share my observation here his doom close to classical or closer than we think it is?
So enought bold statement for the day, i hope you enjoy reading me :tiphat: