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Opera singers with immense middle voices

3.1K views 23 replies 12 participants last post by  ColdGenius  
#1 ·
Anny Konetzni's middle voice sounds oceanic even in the live recordings. I would add Traubel, Farrell, and Crespin to this list as well.
 
#10 ·
Flagstad, Ponselle, Traubel, Tebaldi, Anny Konetzni, Milanov, Caniglia, Varnay, Stignani, Nicolai, Del Monaco, Melchior, Merrill, Cornell, Guelfi, Ruffo, Viglione Borghese.
 
#11 ·
About Del Monaco's vocal size: was it really as large as many say? There are not many recordings that reinforce his voice as utterly stentorian, as often stated. Listen to any of his live recordings: Pagliacci with Gabriella Tucci and Gobbi, Otello 1959 with Gobbi again as direct comparison in Otello/Iago duets, Andrea Chenier...and in all of these performances, he doesn't seem to demolish his colleagues. Maybe once case I can recall that he did absolutely overpower a soprano was a live 1948 or 1949 Turandot, where he dwarfed the soprano in Gli enegmi sono tre.

Del Monaco was absolutely not small, but maybe he was not as loud as some claim.
 
#14 ·
These were all the first examples I thought of as well. True Wagnerian soprani tend to have middle voices which evoke the sounds of mighty ocean waves crashing against the shore on a stormy night. Traubel probably comes to mind as the biggest middle voice of any recorded singer.

other examples



Joan Sutherland

Oralia Dominguez

Jerome Hines

Claramae Turner

Mykola Kondratyuk
 
#15 ·
These were all the first examples I thought of as well. True Wagnerian soprani tend to have middle voices which evoke the sounds of mighty ocean waves crashing against the shore on a stormy night. Traubel probably comes to mind as the biggest middle voice of any recorded singer.

other examples



Joan Sutherland

Oralia Dominguez

Jerome Hines

Claramae Turner

Mykola Kondratyuk
Thanks for the Claramae Turner. Didn't know her. Sutherland's middle voice became bigger and rounder after her mid 40's.
 
#23 ·
And Tatiana Serjan once more.
her middle doesn’t strike me as immense at all, dark, yes, but artificially so, there aren’t the overtones for the voice to sound as big as most of the others mentioned here. Pankratova seems to be a similar case.
 
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#24 ·
They are much better in the theater. In recording the voices are recognizable but they lose something. I heard Pankratova at least three times and go to listen to Serjan regularly. Immense is one of the words coming to mind when I try to describe their voices, if I use it in correct meaning of course.