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Sofia Preobrazhenskaya - One of the greatest mezzo-sopranos to have ever lived!

3.7K views 59 replies 9 participants last post by  Seattleoperafan  
#1 · (Edited)
Born September 27, 1904 in Saint Petersburg, Russia Sofia Preobrazhenskaya had one of the most marvelous titanic mezzo-soprano instruments known to man.

Her entire family was quite musical, her father having received musical education at the Petersburg conservatory and her mother being a choir singer for the choir of A. A. Arkhangelski. Her paternal uncle was a tenor soloist for the Bolshoi Theater. Sofia Preobrazhenskaya herself first went to a religious musical school after which she attended the conservatory of Petrograd.
She actually had her professional debut 2 years prior to finishing her education - at the Mariinsky Theater, after which she even got to perform at the Salzburg festival. She worked at the Mariinsky Theater for another 33 years after her debut! Her career was never halted even during the Siege of Leningrad! She was a chamber and opera singer for most of her career, but later became a professor at the renowned Leningrad Conservatory. Her repertoire was never ending, as was the list of honors and accolades she received throughout her career.

Her voice is wonderfully developed all throughout, from top to bottom, and unlike many heavy/dramatic Russian mezzo-sopranos never really developed a prominent wobble.
She was also a fantastic vocal/physical actress and interprets arias with great sensitivity and care.

Here are a couple of performances by Sofia Preobrazhenskaya, but apparently they do no justice to how gigantic her voice was live!

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Софья Преображенская - ария Далилы "Mon coeur s’ouvre à ta voix" Sofia Preobrazhenskaya as Dalila

The Old Husband (Remastered)
 
#4 ·
Born September 27, 1904 in Saint Petersburg, Russia Sofia Preobrazhenskaya had one of the most marvelous titanic mezzo-soprano instruments known to man.

Her entire family was quite musical, her father having received musical education at the Petersburg conservatory and her mother being a choir singer for the choir of A. A. Arkhangelski. Her paternal uncle was a tenor soloist for the Bolshoi Theater. Sofia Preobrazhenskaya herself first went to a religious musical school after which she attended the conservatory of Petrograd.
She actually had her professional debut 2 years prior to finishing her education - at the Mariinsky Theater, after which she even got to perform at the Salzburg festival. She worked at the Mariinsky Theater for another 33 years after her debut! Her career was never halted even during the Siege of Leningrad! She was a chamber and opera singer for most of her career, but later became a professor at the renowned Leningrad Conservatory. Her repertoire was never ending, as was the list of honors and accolades she received throughout her career.

Her voice is wonderfully developed all throughout, from top to bottom, and unlike many heavy/dramatic Russian mezzo-sopranos never really developed a prominent wobble.
She was also a fantastic vocal/physical actress and interprets arias with great sensitivity and care.

Here are a couple of performances by Sofia Preobrazhenskaya, but apparently they do no justice to how gigantic her voice was live!

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Софья Преображенская - ария Далилы "Mon coeur s’ouvre à ta voix" Sofia Preobrazhenskaya as Dalila

The Old Husband (Remastered)
Nice thread! I wonder which underrated singers of the eastern bloc that'll you introduce next. Sinyavskaya? Dolukhanova? Magomayev?
 
#22 ·
I would add to her biography that she was proposed a contract after her debut in Salzburg (as Kascheevna, in Rimsky-Korsakov's Kaschey the Immortal) but refused and returned to Russia.
She also stayed in Leningrad during The Siege and gave incredible 1500 performances in Philharmonia (The Siege lasted 900 days). All this time she was an active blood donor.
 
#28 ·
There's people after Callas as well that were wonderful too, so much great singing in the last century. Please stay active and share some of your favorites as well!!
She is really great. Of the old Russian Mezzosoprano tradition there are always Preobrazhenskaya and Zara Dolukhanova. Those 2 are really the gold standard.
 
#53 ·
From the memoirs of one of Preobrazhenskaya’s students: “The theater was preparing a production of Lohengrin, and Sophia Petrovna turned to us: “So—should I take on Ortrud or not? Should I lay my throat bare?” Everyone knows singing Wagner is no mere stroll. Of course, we all urged her to say yes—how selfish of us! It’s easy to sit back and listen, but to really belt it out—that’s something else entirely. She surely would’ve dazzled us, even if she was frightfully faint-hearted. But it wasn’t cowardice, nor even her doubts, that held her back. It was the war.